Litmag Roundup

Refresh yourself on the last batch of picks here.

New and Recommended Poems

• Lucia Perillo contributes to The New Yorker.  Last month, Folio Found recommended her recent collection Inseminating the Elephant.
• “A Correction” by Idris Anderson in Agni.
• Also in The New Yorker, Richard Wilbur writes “A Prelude.“
• Poetry features a handful of works from Eleanor Ross Taylor, who was awarded the Ruth Lilly Prize last month.  The selection is solid, start perhaps with “Where Somebody Died.”  We’ll be posting more on Taylor, but her Captive Voices: New and Selected Poems, 1960-2008 (Southern Messenger Poets) is well worth a read.
• In the New Criterion, Adam L. Dressler writes of “The Lacedaemonian boy.“
• Mary Jo Salter won Poetry Northwest’s Theodore Roethke Prize for her “Unbroken Music” and “From a Balcony, Lake Como.”
• Robert Pinsky examines two Robert Frost poems at Slate, asking: Was Frost a Modernist?

img/Nobuyoshi Araki

Litmag Roundup

• The Missouri Review publishes a series of “Dream Poems” by Richard Bausch.
• Joanna Klink talks poetry in Jubilat.  Looking forward to her next collection, Raptus, which Penguin is releasing this May (preorder a copy).
• Rae Armantrout in Poetry.
• Robert Bly in the APR, “Nirmala’s Music.”
• Bly is hitting the magazines hard this month.
• Poetry Northwest announces its newest issue with a poem by Rick Barot. He is the author of Want: Poems– a book worth a few readings.
• After this week’s premiere of Treme on HBO, I like to imagine John Goodman reciting this poem.  Fady Joudah in Callaloo – behind a wall for subscribers and libraries.
• Atlanta Review has the most bizarrely charming web presence.  I’m not even sure this is the entirety of Michael Lee Phillips’ prize-winning poem, but it’s still a solid narrative piece.
• Adam Zagajewski, translated from Polish by Clare Cavanagh, in Five Points.

img/yayoi.kusama